The Figure in Transition

About the Artist

“It is not enough to simply observe the figure; I understand myself through the act of painting the figure’s emotions. As a child I often observed the subtle shifts in mood of those around me and this observation of others has continued to inspire my work today. There’s something magical in witnessing the humanness of people as they turn inward; reflectively and privately. I feel their vulnerability. The figures in my work are involved in familiar daily tasks and it is within the mundane that the mind can wander. As humans we tend to float within the horizons of our outside world and the private inner world; I paint the feelings that come with being softly tethered to our core. I allow the feelings of the subject to guide me. Hot and cool hues are layered in oil impasto and transparent passages; often using the palette knife, oil pastel and sometimes graphite stick. Each painting is a culmination of all that is a personal statement of the moment.” -Linda Christensen

Linda Christensen

The Works

  • Exhibition: Linda Christensen, 36 x 36 inches, Oil on canvas
  • Exhibition: Linda Christensen, 60 x 48 inches, Oil on canvas
  • Exhibition: Linda Christensen, 40 x 40 inches, Oil on canvas
  • Exhibition: Linda Christensen, 16 x 16 inches, Oil on canvas
  • Exhibition: Linda Christensen, 60 x 60 inches, Oil on canvas
  • Exhibition: Linda Christensen, 16 x 16 inches, Oil on canvas
  • Exhibition: Linda Christensen, 36 x 36 inches, Oil on canvas
  • Exhibition: Linda Christensen, 48 x 60 inches, Oil on canvas
  • Exhibition: Linda Christensen, 40 x 40 inches, Oil on canvas
  • Exhibition: Linda Christensen, 36 x 36 inches, Oil on canvas
  • Exhibition: Linda Christensen, 16 x 16 inches, Oil on canvas
  • Exhibition: Linda Christensen, 16 x 16 inches, Oil on canvas
  • Exhibition: Linda Christensen, 12 x 12 inches, Oil on canvas
  • Exhibition: Linda Christensen, 24 x 24 inches, Oil on canvas
“Ultimately, my work is a series of self-portraits. I know those poses; I’ve shaded my eyes, I’ve collected on the beach. Therefore I don’t closely study how to ‘draw’ the figure. I don’t necessarily want to get everything ‘right,’ or ‘follow the rules,’ as in my childhood. I want the freedom to show you the flaws and imperfections. I want to feel the emotion that comes with being human, and I want you to feel that too.”

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