Sculpture

Linda Fleming

My works hint at the co-existence of the mundane and the cosmological where two realities simultaneously exist including the possibility that the past is also present.

“My works hint at the co-existence of the mundane and the cosmological where two realities simultaneously exist including the possibility that the past is also present. The structures are diagrams of thought that provide a glimpse of the strangeness beyond the everyday world; opening a place where thought becomes tangible, history leaves a trace, and information exhales form. Physical sensation and perception are interdependent and I sometimes wonder if what I am seeing is an indication of something outside of what I know or a sudden awareness of the blood vessels coursing through my eyes. Material can never fully communicate thought, which makes these elaborate constructions more poignant in their attempt than they would ever be in their articulateness.”
–Linda Fleming

Solar Flare (edition of three)
  • Solar Flare (edition of three)
  • Acrylic and plywood
Ping
  • Ping
  • Stainless steel
Helios
  • Helios
  • Powder-coated steel
Lightning Ball

Linda Fleming

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  • Lightning Ball
  • Powder-coated steel
  • 72 x 40 inches
Meteorite

Linda Fleming

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  • Meteorite
  • Powder-coated steel
  • 19 (h) x 26 (w) x 23 (d) inches
Wave

Linda Fleming

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  • Wave
  • Plywood and acrylic
  • 13 (h) x 21 (w) x 9 (d) inches
Dash

Linda Fleming

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  • Dash
  • Powder-coated steel
  • 41 (h) x 43 (w) x 1.5 (d) inches
Worlds (edition of three)

Linda Fleming

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  • Worlds (edition of three)
  • Acrylic and plywood
  • 10 x 16 x 9.5 inches
Orange Veil

Linda Fleming

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  • Orange Veil
  • Powder-coated steel
  • 80 x 45 x 2 inches

My works hint at the co-existence of the mundane and the cosmological where two realities simultaneously exist including the possibility that the past is also present. The structures are diagrams of thought that provide a glimpse of the strangeness beyond the everyday world; opening a place where thought becomes tangible, history leaves a trace, and information exhales form. Physical sensation and perception are interdependent and I sometimes wonder if what I am seeing is an indication of something outside of what I know or a sudden awareness of the blood vessels coursing through my eyes. Material can never fully communicate thought, which makes these elaborate constructions more poignant in their attempt than they would ever be in their articulateness.

Linda Fleming

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